Compare and Contrast the Baroque Music and Jazz

Comp atomic number 18 and bank derivation the Baroque Music and roll in the hay BY outwitted The Baroque conclusion spanned from 1600 to 1750. The churrigueresque period piece of ass be divided into three assorts beforehand(predicate) (1600-1640), middle and late (1680-1750). Although today most people recognize the a la mode(p) part as the churrigueresco medicament, the earliest part was match slight of the most revolutionary phases in harmony history. The early churrigueresco composers jilted the concerted music cereal of the late Renaissance music and favored homophobic metric grain.They besides focused on symmetry rather than the complexity of honeyed lines. The result of betokend sea bass and counterpoint represents the development of harmony. However, by the late fancy period, polyphonic texture returned to favor. Famous Baroque composers Johann Sebastian Bach Popular blend in Air on a G String George Frederic Handel Popular take on The Messiah Ant onio Vivaldi Popular work The Four Seasons It is difficult to define hunch music, as there ar many different paths and movements.A brief explanation of kip down would be American music that originated in New siege of Orleans around 1900 and characterized by propulsive syncopated rhythms, polyphonic ensemble bleeding, improvisatory, virtuosic aviates, melodic emancipation, and a harmonic idiom ranging from simple diatonic through chromatics to atonality. 1 But this does not tell everything about issue. turn in developed from tatter around 1900 and about 20 different styles were born since then. 2 Examples ar swinging, bebop, boss nova, free screw and soul write out.Famous Jazz musicians Luis Armstrong Chuck re assure Charles Minus Jon Chlorate Mary Lou Williams Miles Davis Nat King Cole The chief(prenominal) device characteristic of this piece of music is unity of melody. This piece begins with Joyful elodea, which contains arpeggio and arch shape melody. e pic Its mood of delight stays throughout the piece. Base chords be mostly based on chords l, IV and V. At bar 9, a melody changes a puny but the mood doesnt change. The rhythmic patterns of the beginning of this piece are ingeminate throughout. in that respect are ghost uses of imitation in the melody. For example, from bar 9 afterward the perfect cadence, imitation begins as descending 4th. epic ariose sequence besides frequently occurs in the piece. Bar 6 is one of example of sequences contained. Melodic vocalizes are repeated one tone higher pitches. An early(a) primary(a)(prenominal) characteristic of this piece is polyphonic texture, as more(prenominal) than 3 free melodic lines are sounded together consistently. From bar 14, there is imitation again. The harmony is based on a circle of fifths. Each motive figure is decorated with triplet.In the melody line, the first figure starts with F, the next one starts with B and the next one starts with E and so on. Simi larly, the chords of bass line go through cycle of fifth. therefore, twain melody line (flute and violin) and base line (cambial) are in circle of fifth. This makes the melodic like sound obedient and natural. This movement is in anadiplosis form one short-change discussion fragment keeping returning, very much creating tutu- pilot-tutu-solo pattern. This movement opens with the reiteration, which consists of 1/16th notes.After the reiteration, there is short solo section, where the flute and violin imitate each other. This piece is performed in 12-bar structure in 4/4 time. This piece begins with piano solo in E major. epic In the beginning of this piece, we can see the chords cash advance I I I I V V l. This chords advancement is repeated throughout this piece with a constant Hitachi pulse. Call and reception is frequently used in this piece. We can see the example of gripe and response amid voice and other instruments at 046. There is overly reverberate and re sponse amid main vocal and distaff choir in 229.Swing rhythm is also remarkable in this piece. After 12 bars of short piano solo, drumfish joins and plays swing rhythm. There are also frequent uses of syncopation in the rhythm. For example, in the first part where the vocal Joins, after he sings one phrase Hey, ma-ma dont treat me wrong, there is space in melody between the first phrase and the second phrase humiliation. The beginning of this piece is generally homophobic in texture as there is alship canal one independent melody. When vocal sings the main melody, other instruments such as drum and piano play the bass lines.However, as the song gets close to the end, its texture becomes more like polyphonic. Imitation, Call and response and counterpoint abound. After retell the main melody six times, there is call and response between trumpets and vocal. The vocal asks, Tell me whatd I say and trumpets answer. The same stem is repeated several times with different lyrics. Aft er the part, there is call and response between the main vocal and chorus again. Melody in baroque music creates a feeling of continuity. The opening melody willing be repeated throughout a baroque piece.Although the melody is often repeated in an altered form using variation technique, its intellection remains in a piece. Also, baroque melodies often sound magnify and ornamental in baroque pieces. Baroque music also tends to crap one basic mood. If a piece begins with Joyful mood, it will remain throughout the piece. The baroque composers often created mood by using a descriptive musical language. They favored word painting, which music enhances the meaning and perception of the text. For example, they used dark and decelerate music in lyrics about death.This make music more expressive and powerful. The rhythm in baroque music is often constant. The rhythmic patterns in the opening of baroque pieces are repeated throughout. This contributes to creating a unity of mood. For ex ample, as we can see from Concerto V by Bach, there are 1/16th notes ceaselessly throughout. Texture in baroque music is mostly polyphonic dickens or more voices or melodic lines playing independently to express complexity. Baroque composers tested to expand the size, range, and complexity of instrumental performance. Imitation is very common in baroque music. All you have do is touch the right detect at the right time and the instrument will play itself This is a famous quote by Bach. Baroque musicians try to play what is indite on the music score. There is mainly three common baroque forms three-part from (A B A), devil-part form (A B A), and continuous or undivided form. A lot of concerto movements including concerto V by Bach are in Reiteration form. The word, Reiteration, meaner return in Italian. After Tutu section, solo section begins and Tutu section come back again after the solo section.The Same rhythmic patterns are repeated in Jazz, yet often syncopated unexpected accents. The rhythm patterns heard in the begging of Jazz pieces will be repeated throughout. Swing rhythm is also main characteristic of Jazz. Jazz originally developed from ragtime music, whose main characteristic is ragged or syncopated rhythm. Improvisation is an important aspect of Jazz music. Jazz musicians improvise in melody, rhythm and bass lines. A Jazz musician plays what he wants to play. Therefore, they have a great deal of immunity when performing and the audience also can feel it.Melody in Jazz is often improvised and more complex than other music. There are frequent uses of blue notes. Here is an example of a blues racing shell This is one of the aspects that make Jazz very distinguishable from other music. Although style, period and musical culture are widely different, there are or so similarities between Baroque music and Jazz. The first similarity between the two is continuity of rhythm. In both pieces, the same rhythmic pattern is repeated from the beginning to the end. Another obvious similarity is the frequent use of call and response. In both pieces, call and response is used many times.In concerto v, for example, there is call and response between flute and violin from 115. There are call and response between vocal and other instruments, and between the main vocal and female chorus in Whatd I say. For example, we can see call and response between the main vocal and other instruments from 046 and between the main vocal and female chorus from 220. Both baroque music and Jazz use improvisation, although the style is different. In Baroque music, the composers write numbers above the bass part (figured bass) so that the keyboard player can improvise chords.This gives the performers a feeling of freedom spot playing. In Jazz, improvisation is more important than in baroque music and is more abound. Not only the bass line, but also melody and rhythm can be improvised. Many baroque and Jazz composers repeat the same melodic or rhythmic ide a in one piece. In Bachs concerto v, for example, there are 1/16th notes constantly throughout and the same melodic ideas are repeated. This is same for Jazz music. For example, in a Jazz piece Whatd I say, there are frequent uses of swing rhythm and the same melodies are repeated throughout.Unity of mood describes both baroque music and Jazz. If a piece of music opens with dark and slow melody its darkness remains throughout the piece. The unity of mood is created by continuous rhythm and melody. The chords of a lot of baroque and Jazz songs are mostly based on I, IV and V. For example, the chords structure of the first 8 bars in Bachs concerto v is I I I V- I l. The twelve notes progression, which many Jazz musicians use, is I I-I-IV- IV I -l -V -V- I and is very similar to the one used in concerto. Difference in time and culture also makes difference in music.We can find several differences between baroque music and Jazz. First, we can see that their styles are very distingui shable. Jazz musicians have more feeling of freedom piece performing as they can improvise in many ways while baroque musicians can only improvise in bass lines and they mostly play what is written on the score sheet. There is also difference in musical form and structure. The baroque composers tend o follow the certain forms such as reiteration form while Jazz composers favor minimum forms that allow maximum flexibility.In addition, the main image or purpose of Baroque music and Jazz are different. Jazzs primary purpose was to entertain the people in bars, while baroque composers originally worked to provide music for dance and church services. Early baroque composers rejected the complex polyphony of the late Renaissance and favored homophobic texture that maximizes harmony. But Jazz composers favored the complexity of melody. Melody in Jazz is often complicated and usually official to sing or play while melody in early baroque music is less complicated and easy to remember.In addition, the uses of instruments in the two periods are different. Despite that baroque music is mostly based on string groups, Jazz music is based upon brass and woodwind instruments. Although style, time, and history are different, there are some similarities between baroque music and Jazz. There are similarities in rhythm, melody, and texture. Music from the two different periods sound different, however, when we look at the two closely we see that they share musical technical similarities.